Saturday, September 18, 2010

What's Most Important?

I keep asking myself that question -- "What's most important?" Life is so full of options, and many of them very time consuming. It's easy to get lost in the sea of them, too. Where are you in asking that question (and finding answers)?

My husband and I both lost our jobs at the same time (we were laid off) the end of July. What seemed like a fairly straight path we were on is now full of curves, hills and valleys. I don't often share how my faith is currently impacting my life -- but I thought I would take time to give you a little insight into how we are "handling" this difficult time in our lives on the off chance it might encourage you too.

You may have noticed my last post on this blog was a relatively short time after the death of my father. Right after that, one of my aunts passed away, and within the past month, an uncle also left this earth. Due to the financial difficulties imposed by losing both our jobs on top of the emotional rawness of loss of family members, I have experienced what some call a "dark night." To have so many challenges to one's faith in a row has certainly not been easy! I have a life verse from the Bible that guides me:

Jeremiah 6:16 says "Look and see, and ask for the Old Paths, where is the good way, and walk therein, and you shall find rest for your souls."

That passage doesn't say the way will be easy. It doesn't promise anything other than "rest for your souls." That, I have discovered, is what is MOST important -- soul rest. Everything else can be in a turmoil, but focusing on God's deep and abiding love for me (those old paths found in scripture), make a huge difference. To give you an example . . . . I was struggling to sleep a few nights ago. I asked the Lord Jesus to help me sleep and words to an old hymn floated across my mind. I couldn't even remember the title nor all the words. There were just enough from those "old paths" to calm my spirit and bring me sleep. In the morning, I hunted up the hymn and here are the precious words that encouraged me:

"Like a river glorious, is God's perfect peace,
Over all victorious, in its bright increase;
Perfect, yet it floweth, fuller every day,
Perfect, yet it groweth, deeper all the way.

Hidden in the hollow of His blessed hand,
Never foe can follow, never traitor stand;
Not a surge of worry, not a shade of care,
Not a blast of hurry touch the spirit there.

Every joy or trial falleth from above,
Traced upon our dial by the Sun of Love;
We may trust Him fully all for us to do.
They who trust Him wholly find Him wholly true.

Stayed upon Jehovah, hearts are fully blest
Finding, as He promised, perfect peace and rest."

What sustains you in difficult times? What's MOST important then? I can't answer for you, but I hope my own struggle and story might encourage you that you don't walk alone.

Saturday, April 24, 2010

Reminders -- Savor Every Moment!

You may be wondering why you have not seen any new posts? I've been taking a little time to prioritize. As you can see, my last post was on February 1st -- with all the best intention of regular blogging throughout Valentines Day. On February 2nd, my father went into the ER and that began a spiraling journey of daily treks to the hospital and supporting my mother through surgeries and his eventual passing away on February 20th.

While going through all the funeral arrangements with family, I realized just how unprepared I was for that monumental task, let alone my Mom's readiness. My parents had a pre-paid funeral plan which most definitely helped -- but there were still so many decisions to be made.

While all this has been difficult -- especially the aftermath of the grieving that catches you unaware at the strangest moments, it has also been a great reminder! Savor every moment of every day -- even the difficult ones. I am so glad I was able to take almost a month and a half to fully be there -- first with my Dad, and the family, and then in supporting my Mom. I still call her every day -- I don't want to miss out on a single precious moment of chatting about the little blessings. My Dad learned that lesson well and I know that is what he would tell me now if he could.

I read something today that really struck me -- in fact, I have made a copy of it to post on the wall by my desk:  "Beware of spending too much time on matters of too little importance!" Time just flits by all too quickly on butterfly wings!

So, I have been making time to create jewelry and have tea parties with my 6 year old granddaughter. My fingers have gotten dirty while digging in the dirt planting vegetables for my kitchen garden. I've been visiting with my elderly neighbors, and walking with a friend. I've been clipping a few grape hyacinths for a tiny crystal vase to encourage my delight in the outdoors even when I cannot get there. I have been really listening when someone talks to me -- trying to hear their heart, not just their words.

I will be sharing more of the ways I am working on savoring moments in the days to come -- including sharing a project step-by-step to inspire your own creativity and savoring moments. Hope you will follow along on this journey with me!

Monday, February 1, 2010

Valentine, Won't You Be Mine?

Valentines Day is just around the corner. Since Saint Valentine became known as the patron saint of lovers and the day became a special opportunity for exchanging love messages, lovers have shared symbols of their love or words of endearment on February 14th. I thought it would be fun to share some of my own collection of vintage Valentines, along with some trivia about the holiday over the course of the next two weeks.

Love tokens have been exchanged far longer throughout history than merely one day of the year! Certainly as long as there has been courtship, there have been special tokens exchanged to woo and share depth of feeling. One early symbol of love in the eighteenth century was the gift of gloves. They became such a popular love token during that time, that a heavy tax was imposed on gloves. A little poem might have been offered with the gift of a pair of gloves to a lady of that day: "If that from glove you take the letter 'G', Then glove is LOVE, and that I give to thee."

Flowers have been a love token over time -- but they also came to symbolize sentiment spoken secretly with the type of flower in an arrangement. It was necessary to know what each flower spoke in order to convey the right message. Tiny volumes of poetry complete with dictionaries sharing each floral meaning were written and kept at hand to enable one to share those secret messages. One such volume is a tiny treasure in my collection. It measures just 4-1/2" x 3" -- perfect for carrying in a gent's pocket or a lady's reticule. This special little gilt edged volume was published in 1846. It's title:  "The Bouquet: Containing the Poetry and Language of Flowers" by A Lady.

In it's introduction quotes a poem by L.A. Twamley, part of which I will share here to give a sample:
"Are not flowers the earliest gift of love?
Do they not, mutely eloquent, oft speak
For absent or for trembling hearts, and bear
Kisses and sighs on their perfumed lips,
And worlds of thoughts and fancies in their tears,
Touched by the rainbow's dyes?"

The author of the first written Valentine is disputed. Charles, Duc d'Orleans has often been credited with being one of its first creators. He sent his wife love letters penned in rhyme. John Lydgate, an early English poet also wrote a lovely Valentine praising Catherine, the wife of King Henry V of England. Whoever started the tradition matters little. By the early nineteenth century, the Valentine card was clearly the most popular love token eagerly bestowed and awaited. I have several early Valentines handed down in my family to me. This little treasure is one of the folded cards that could be sent flat and then opened to reveal a pop-up of fuller dimension. It's sweet sentiment says,

"Cupid has no time to waste
So he flies in urgent haste
What he means to whisper low
Is, 'Sweetheart I love you so.'"
When the greeting is opened, you discover a more fanciful set of die cut figures, along with a fancy tissue paper flower.

This little one, from the late 1800s is more simple in its folded state -- actually very little ornamentation on the card stock itself. But, when it is opened, it really has some fun secrets to share! The little pop-up heart says,
"Never! Oh Never!
Another can be;
So gentle, so kind
And so smiling as thee!"
Although another relative has the original, one of my favorite early Valentines was done in "cobweb" style. It dates to the 1820s, and has a secret message that can only be revealed when a tiny thread loop is pulled to enable the cut work picture on top to open and show what is beneath. I spent some time this year making several of these to include in one of my shops on Etsy. Here are two of them.


Come back and visit again this week. I will share more of my vintage Valentines and some of their unique and fun sentiments with you. I have lots -- so we will take a look at more from the 19th and 20th century along with other historical tidbits on love. Oh, and if you like the Valentines, I have a little contest going on my other blog you won't want to miss out on! You can win one!              

Monday, December 7, 2009

The Brownie's Christmas


I love old Christmas poems! I included a number of different ones throughout the years in my dramatic monologues performed this time of the year. With so many struggling with low or no funds this year, I thought I would share some with you over the next month as we approach Christmas. So many of the poems of the 1800s or early 1900s were meant to encourage during similar difficult times! Here's a lovely poem -- a story poem, author unknown -- titled, "The Brownie's Christmas,"  written during a time when imagination soared and children often talked of elves, brownies and fairies. And isn't that where fancy took off from true stories of St. Nicholas and the tales of Santa Claus began?


"The Brownie who lives in the forest,
Oh, the Christmas bells they ring!
He has done for the farmer's children
Full many a kindly thing:

When their cows were lost in the gloaming
He has driven them safely home;
He has led their bees to the flowers,
To fill up their golden comb;

At her spinning the little sister
had napped til the setting sun --
She awoke, and the kindly Brownie
Had gotten it neatly done;

Oh, the Christmas bells they are ringing!
The mother she was away,
And the Brownie'd played with the baby
And tended it all the day;

The Brownie who lives in the forest,
Oh, the Christmas bells they ring!
He has done for the farmer's children
Full many a kindly thing.

'Tis true that his face they never
For all their watching could see;
Yet who else did the kindly service,
I pray, if it were not he!

But the poor little friendly Brownie,
His life was a weary thing;
For never had he been in holy church
And heard the children sing;

And never had he had a Christmas;
Nor had bent in prayer his knee;
He had lived for a thousand years,
And all weary-worn was he.

Or that was the story the children
Had heard at their mother's side;
And together they talked it over,
One merry Christmas-tide.

The pitiful little sister
With her braids of paly gold,
And the little elder brother,
And the darling five-year-old,

All stood in the western window --
'Twas toward the close of day --
And they talked about the Brownie
While resting from their play.

'The Brownie, he has no Christmas;
While so many gifts had we,
To the floor last night they bended
The boughs of the Christmas-tree.'

Then the little elder brother,
He sapke up in his turn,
With both of his blue eyes beaming,
While his cheeks began to burn:

'Let us do up for the Brownie
A Christmas bundle now,
And leave it in the forest pathway
Where the great oak branches bow.

'We'll mark it, "For the Brownie,"
And "A Merry Christmas Day!"
And sure will he be to find it,
For he goeth home that way!'

Then the tender little sister
With her braids of paly gold,
And the little elder brother,
And the darling five-year-old,

Tied up in a little bundle
Some toys, with a loving care,
And marked it, 'For the Brownie,'
In letters large and fair,

And, 'We wish a Merry Christmas!'
And then, in the dusk, the three
Went to the wood and left it
Under the great oak tree.

While the farmer's fair little children
Slept sweet on that Christmas night,
Two wanderers through the forest
Came in the clear moonlight.

And neither one was the Brownie,
But sorry were both as he;
And their hearts, with each fresh footstep,
Were aching steadily.

A slender man with an organ
Strapped on by a leathern band,
And a girl with a tambourine
A-holding close to his hand.

And the girl with the tambourine,
Big sorrowful eyes she had;
In the cold white wood she shivered,
In her ragged raiment clad.

'And what is there here to do?' she said;
'I'm froze I' the light o' the moon!
Shall we play to these sad old forest trees
Some merry and jigging tune?

'And, father, you know it is Christmas-time,
And had we staid I' the town
And I gone to one o' the Christmas-trees,
A gift might have fallen down!

'You cannot certainly know it would not!
I'd ha' gone right under the tree!
Are you sure that none o' the Christmases
Were meant for you and me?'

'These dry dead leaves,' he answered her, sad,
'Which the forest casteth down,
Are more than you'd get from a Christmas tree
In the merry and thoughtless town.

'Though tonite be the Christ's own birthday night,
And all the world hath grace,
There is not a home in all the world
Which holdeth for us a place.'

Slow plodding adown the forest path,
'And now, what is this?' he said;
And the children't bundle he lifted up,
And, 'For the Brownie,' read.

And, 'We wish a Merry Christmas Day!'
'Now if this be done,' said he,
'Somewhere in the world perhaps there is
A place for you and me!'

And the bundle he opened softly:
'This is children's tender thought:
Their own little Christmas presents
They have to the Brownie brought.

'If there liveth such tender pity
Toward a thing so dim and low,
There is kindness sure remaining
Of which I did not know.

'Oh, children, there's never a Brownie --
That sorry, uncanny thing;
But nearest and next are the homeless
When the Christmas joy-bells ring.'

Out laughed the little daughter,
And she gathered the toys with glee:
'My Christmas present has fallen!
This oak was my Christmas tree!'

Then away they went through the forest,
The wanderers, hand in hand;
And the snow, they were both so merry,
It glinted like the golden sand.

Down the forest the elder brother,
In the morning clear and cold,
Came leading the little sister
And the darling five-year-old.

'Oh,' he cries, 'he's taken the bundle!'
As carefully round he peers;
'And the Brownie has gotten a Christmas
After a thousand years!'"

Friday, November 6, 2009

A Plea for the Old-Time Thanksgiving





I want to share the "Household Topics" column from the November 1896 issue of The Ladies World I have in my collection of vintage ephemera. It was the inspiration for my latest creation in my shop on Etsy. It truly is an appeal for remembering the Old-Time Thanksgiving. As you read it, remember, this was written over 100 years ago as a plea then! How much more do we need it today?
~~~~~~~~~~
"How many of us who keep Thanksgiving day with feasting and merriment consider the real meaning of the holiday? Of course, we go to church and hear elaborate sermons, admonishing us to 'consider our mercies,' and down in our hearts we form a little prayer of gratitude for the benefits we have received, and of supplication for a continuance of our blessings, and in thus making it our own we do right; but still we are losing something each year in the real sweetness of the day.


The English nation has changed much since its first festive observance of Christmas, but staid and matter-of-fact as the people are, they keep many of their olden customs. Still the men and maids bring in the mistletoe; still the Yule log burns on the English hearth; still the waifs sing beneath the windows and the boar's head is brought in in stately procession.

Compare this with our metamorphosis of Thanksgiving Day. Because we no longer live on puncheon floors and wear homespun, because our life is daily growing more complex, is not an excuse for forsaking the old-time Thanksgiving, but, rather, another reason why we should, for this one day, rest our over-strained nerves and go back to the simple, hearty holiday of old.


When I sit in a fashionable congregation on Thanksgiving Day, my mind sometimes wanders from the discourse. It does not dwell on the plumes and furs and velvets in the polished pews, but goes back to that little log hut in the mighty New England woods, and to the brave men who raised their voices in prayer on that first Thanksgiving Day.


And for what did they give thanks? Not that the Lord had blessed them with bountiful harvests, nor prospered their investments, nor kept their foes from them, but because He had sent the ship of relief, just in time to save them from starvation. They acknowledged His benefits in those days in a way to put to shame our indifferent spirit today. It takes more to put this generation in a thankful frame of mind than it did our Puritan fathers. Our granaries and storehouses must be full to overflowing, but they fervently thanked a kind Providence that they could be allowed 'a peck of Indian meal a week to each person."

To put us in a thankful mood, our ship must be bountifully loaded with luxuries for our own; but the first Day of Thanks was for the ship that came into the offing bearing bread for the starving.


If we could all keep this blessed day in sweet and serene spirit, thankful for what we have, much or little, thankful even for the sorrow that the year has brought to soften and chasten our hearts; if we could throw aside unnecessary forms, making it an unconventional, old-time holiday for our families and for the wanderers that come back to us, what sweet memories, all our own, would be connected to the holiday."

There are yet a number of days left between today and Thanksgiving Day to make careful plans for a true celebration of gratitude, even in the midst of these uncertain times. Blessings to you and yours!

Wednesday, October 14, 2009

Will it Be a Handmade Christmas for You?

I support buying handmade, both as a buyer, a creativity coach, and because I also design and make items for resale. For more than those reasons, though, I support handmade because our world has become so less personal -- and I really believe it brings value to our lives when we connect with both the process and the designer.


We have raised six sons. When our oldest two were teenagers, we moved to a little half-acre in the country where we could have a larger garden and raise chickens for eggs. It was a real eye-opener for our sons to feed and care for the chickens who, in turn, produced wonderful extra-large brown, blue and green eggs for our table. Before that, they knew eggs were laid by chickens, but had no real connection to the process. Most of our world has no real connection with how something they purchase came into being, let along came to the store.


I plan to make it a handmade Christmas this year. Our family members met last week over Sunday Dinner and decided to either keep the cost of an item to $10 or less -- or make something to give. The women will each make one item another woman would like (not knowing who they are making the item for). They guys may make something, but knowing them, they will more likely buy a gift. Even then, my challenge is -- how many wonderful handmade items can you find for $10?  Here are a few of the handmade items I found for guys.

I really do believe there is something for everyone if you do a simple search on Etsy. I was truly impressed with what I found. Here is a great item for the guy who needs to carry business cards, but already has a stuffed wallet.  $7.50 - thebritboutique



For the guy who loves the special brew, why not this great item I found for just $6.99!   Beer Soaps at BeautifulSoaps






I know a couple of 20-somethings who would love this great leather and metal stud bracelet for $10. BeadSiam on Etsy







I have several artists among the men in my family. This great drawing case for just $5 would make a great gift! Handmade Drawing Case by rainbowfrogs77







I don't have time to knit this year, but I know my guys love these fingerless gloves -- and a great price! Just $8.00 at Fingerless Gloves by TheSlipStitch









Here's a perfect item for the coffee lover in your life. My hubby loves to ride his bike to meet a friend for coffee. I could see him wearing this on his wrist (keeping warm on an early morning ride) and then using it to keep his coffee warm while he chats away. And, it's just $5 (so I could get two and he could keep both wrists warm plus share one with his buddy)! Re-usable Coffee Cup Sweater by CuffeShop


Why not make it a handmade Christmas this year too?

Tuesday, October 6, 2009

Walls, Tweets, and Autograph Books


We all clearly know life has changed dramatically in the last 100 years, but do we really know how profound those changes are to future generations? For some time now I have emailed. I have three blogs. My youngest sons got me started texting by cell. Students I work with challenged me to get on Facebook. Now I have a Facebook Fan page too -- and I tweet on Twitter. Lots of words -- but where do they go? What will their impact be over the space of time -- real time? I watch my twitter account as I update it with so many tweets shifting down the list. Where are mine? Where are yours?

Byrom wrote:
"But words are things, and a small drop of ink,
Falling like dew, upon a thought, produces
That which makes thousands, perhaps millions, think."

We can still read the works of Byrom. Will anyone read my words here on this blog, let alone over time?  I don't make it to my Facebook page often enough to catch all that has appeared on my wall. Are those words lost? Were they important? Did I miss something profound?



I uncovered a little treasure today among my vintage books and magazines. I had frankly not remembered it being among my collection. It's a very small vintage autograph album once belonging to "Mary" from the class of 1930-31 of Haudley High School in Virginia. All the autographs and little poems and sayings contained within are yesteryear's "wall writing" or simple texts or tweets. But they are still here. I can thumb through the 50 pastel pages and wonder who Clara E. Daugherty was who provided her nickname, "Libby," with the lovely handwriting. Her little poem was simply,

"Remember me in the dark
Remember me in the light
Remember me in the summer time
With a string around my heart."

What kind of fun did Myrtle N. Carlisle of Winchester, VA think of when she penned,


"Remember me long,
Remember me forever,
Remember the fun we have had together."



Even though Mary no longers owns her charming little album (for who knows what reason), did she flip through the pages of this little book and, upon reading that, pause to laugh over shared memories?

What is part of my own life that prompts me to recall friends past or present? Is it on a wall? Is it in a tweet? Is it in an email long lost in the files I never check anymore because of the 100s more that have come in? And, even when I do see words on the page, do they evoke the memories that these did for Mary and the longings of my own heart when I see the hand-written script flowing from age-old fountain pens?

I love it when I receive a hand written note. My sister-in-law does not own a computer, so once a month we get 6 or 7 pages in her flowing script. I am thoroughly intrigued with Joon's FlyingHousewife shop on Etsy where she includes handwritten missives (see her shop in the sidebar). Not many take the time to write longhand any more.

For Christmas this year, I believe I will hand pen letters to each of my children. I will use my best penmanship, and rose-scented sepia-toned ink on parchment paper. I will doodle some fancy scrolls in the corners and I will call them by their pet names I used to use when they were just small boys. I will do it for me without expectation that it will mean anything significant to them. But, just maybe --- maybe --- they will become keepsakes. Maybe a grandchild or a great grandchild will wonder about the woman who wrote and stop. Stop to ponder life in a different day when ink and words on paper were slowly being replaced by computers and cyberspace.



"It only takes a little spot,
to plant the seed,
Forget-me-not."





Friday, October 2, 2009

Welcome to my Home Art Studio



I am delighted to share a virtual tour of my studio with you today as part of "Open Studio Day" sponsored by Studio magazine and the great people at Quilting Arts and Cloth, Paper, Scissors magazines.

I have six sons, so as they began to move out on their own, I finally could claim a room for my studio. The challenge for me was that it needed to be a multi-functioning space (I am a writer, creativity coach, and I love to work with a variety of media in art -- primarily fiber art). For a number of years, I also costumed for the theater and for my own one-woman show.

My little space (a former bedroom) is packed -- filled with all kinds of creative items -- from my collection of over 200 antique books and magazines, to lots of vintage lace, trims, buttons, fibers and fabric.

On one side of my room I have bookcases and a roll top desk (purchased with part of a publishing advance on a series of books I wrote). I love sitting at the desk -- but it is often crowded with work as I multitask.
On the opposite side of the room is my very small sewing table. It is an antique oak "campaign" desk -- one that might have been used by a high ranking soldier in the Civil War due to its size and the ease of folding it up to carry to the next tent city. It has a small locking drawer with its original key. (This came in very handy with those six sons of mine -- if they could find my good sewing shears, they would use them on all kinds of their own projects -- including cutting wire!)

I was also blessed to receive a couple of my husband's family heirlooms I enjoy in my special space -- two antique oak spool cabinets. They really help me sort and organize all the little bits of lace, buttons and trims -- and yes, even spools of thread.




At heart I am a creator/developer. For years my husband tried to get me to darn socks (those boys went through them so fast) to help save money. I did (and still do) mend good clothing -- but to me darning socks is just so mundane! My valuable time could be better spent exploring new artistic endeavors. At one point, I must admit I did embroider the tops of my son's socks (with just a little stitch on each in the same color) so I could try to track the multiple tube socks going through the laundry and find mates before the dryer ate them!

I know my curiosity and passion for exploring the creative came from my two dear grandmothers, both now in heaven. I have been working on a quilted album of important memories of my life. I have finished the 12 x 12" page that represents the wonderful contributions those two women made in my life. From one, I inherited an interest in quilting, flowers, music, and fine detail; from the other a love of reading, writing, sketching, and needlework. Many of the initial antique books I collected and the pieces of vintage linens and lace came from their treasure trove.

There are so many heirlooms to be treasured, restored, re-purposed and enjoyed! I love living my passion every day, finding inspiration from the writings and textiles of past generations. It is my hope that I can inspire future generations to value these treasures so they will not be lost.

The opening picture of this blog post showed my antique ironing board with a project just being started. Here is the finished product -- a statement collar (bib) necklace I made from using pieces of wonderful vintage lace and buttons. My antique dress form, "Martha" is modeling it for me.

I hope you have enjoyed my virtual studio tour and the opportunity to get to know me just a little in the process. Oh, and because I know many people are curious to see the "real me" -- here's a photo my husband took of me. If you would like to see more photos of my studio and artistic endeavors, visit my Facebook Fan page (link to the right): Vintage Legacy Studio. Of course, you can always see more of my art in my Etsy shop. I have a special 20% off sale in my shop today in conjunction with the open studio tour.
Connect with others in the Open Studio Tour here.










Monday, September 28, 2009

Getting Ready for Open Studio Day


I had been planning on giving a virtual tour of my creative space. When I discovered the theme of the Fall 2009 issue of Studios is Open Studios, and they are kicking it off with a virtual tour,I decided I had to participate! Stop back here on Saturday October 3rd and I'll have a tour of my studio for you.

I love what the great people at
Quilting Arts and Cloth, Paper, Scissors magazines share -- and I am really looking forward to seeing all the great studios shared through their inspiring Fall issue of Studios!

Thursday, September 17, 2009

Focusing on What Really Matters


I just completed a fiber art mixed media card I titled "Serenity." That word evokes a variety of feelings inside me. I am reminded of the "Serenity Prayer:"

"Lord, grant me the serenity
to accept the things I cannot change,
the courage to change the things I can,
and the wisdom to know the difference."

I am also reminded that there are such simple moments in each and every day I take for granted. Perhaps that's because I'm so caught up in trying to identify what I can and cannot change, that I don't often notice those!

The press of things to do in any given day often puts blinders on our eyes to what really matters. My thought for the day was one found in an 1883 book from my collection (Our Home):

"Joy is the natural and normal condition of every human soul.
To be genuine and permanent it must depend chiefly on internal
instead of external conditions. . .The difficulty is always on the part
of the eye and never on the part of the light."

Here's my personal challenge -- both to myself -- and to you:

"Look today with your eyes wide open, and see with your heart."

Tuesday, September 15, 2009

Hat Trimmings -- Feathers


For "Make a Hat Day" -- A hat is not complete unless you think about how you want to trim it. There are so many varieties of trims, from fancy bands, to flowers, to veils, to feathers. I will focus on feathers in this installment. If you go to a hobby store to find feathers for trimming your hat, chances are you will come away disappointed. They are usually packaged in cello and look much flatter than the feather trims you see on hats.

Here are some tips I discovered on how feather trims were made to look fuller on hats from the past (those terrific vintage finds):

Old feathers are thick and curled. How did they do that? The full-bodied plumes of yesteryear are actually often three plumes adhered together at the stems by milliner's glue to achieve the fullness desired.

The curve of a plume of feathers was achieved by attaching a piece of covered milliner's wire to the underpart of the lower stem with a very fine needle and matching thread. The wire was bent in the desired curve and the end of the plume was allowed to fall soft and free.

The curling of plumes was achieved by pulling the "flues" of the plume in small groups over a dull knife or scissors as though curling gift-wrap ribbon.

If a woman wearing a hat was caught in a sudden thunderstorm, she would end up with drooping plumes or feathers, but they could be easily re-curled to their former beauty.

Glorious Hats: Make a Hat Day

Glorious Hats: Make a Hat Day

Monday, September 14, 2009

Make a Hat


Wednesday, September 15th has been designated as "Make a Hat Day." As a theater costumer for a number of years, I made a lot of hats for a variety of productions. One of the best overall sources is Denise Dreher's book, From the Neck Up: An Illustrated Guide to Hatmaking. Although it is no longer being published, it is still available on Amazon, both some new copies as well as used.

In her book, Ms. Dreyer provides a glimpse into the history of hatmaking as well as a vast quantity of information on making a variety of different styles of hats through the centuries.



For my use in theater production, I especially appreciated her comments on design, which enabled me to create many different hats for the style of both the production and the wearer. Dreyer shares:

"In well designed hats the lines flow naturally into one another and lead the eye without any unexpected breaks or bends. Continuity must be maintained between all of the lines if the design is to be attractive. That is why soft, curvacious hats are usually trimmed with flowing ribbons and flowers while stiff, straight hats receive a more severe, tight hatband and flat bow.

"There are no pre-determined rules as to which lines best flatter which faces and figures. It is largely a matter of observation and experiment on the part of the designer. Through careful studies of people wearing hats, you will soon develop a good sense of this. Begin by trying several hats on yourself and note the changes."
There are a number of simple ways to make a hat if you don't want to start with a pattern. One I have used to good effect is to cover a straw hat with fabric and then add trims. The supplies you will need are:

* Designer fabric of your choice for covering the hat
* 1" wide grossgrain ribbon the measurement of the inside circumference of the crown plus 2" for overlap for making a sweat band (and for covering your raw edges of fabric from the brim cover)
* Fancy ribbon (minimum 1" wide) the measurement of the crown plus 2" for overlap for making the outer hat band (and for covering the raw edges of fabric where the brim and crown covers meet)
* Flowers, feathers and other trims to decorate the hat
* Glue (a heavy craft glue works best)

Step #1: To cover a hat, you must first take several crucial measurements:

* the diameter of the crown
* the circumference of the brim
* the depth of the brim (from where it joins the crown to the outer edge of the brim)

Step #2: To the diameter of the crown, add two inches. Then, create a circle based on that measurement. That will be your pattern for covering the crown.

Step #3: To the circumference of the brim, add one inch (for a seam allowance). That will be the length of the brim pattern. To determine the width of the brim pattern, double the depth of brim measurement you took and add two inches.

Step #4: Now, using the patterns you have made, cut one brim and one crown out of the designer fabric of your choice for covering the hat.

Step #5: One-half inch in from the edge of the crown you have cut from fabric, run a loose stitch (preferably by sewing machine) all the way around for gathering. Place the fabric crown over the crown of the hat and gather up the stitches until the crown fits smoothly. Carefully lift the edge and apply glue. Press the fabric against the straw hat crown.
Step #6: Take the brim fabric you have cut to the pattern and join the two short ends together, right sides together, sewing in a 1/2" seam. Press the seam allowance open. Then, fold the width of the fabric, wrong sides together and press all along the fold. Open back up and run a loose gathering stitch along BOTH long edges of the brim fabric (be sure you are sewing each edge separately).

Step #7: Place the brim fabric over the brim, one edge under the brim and the other edge on top of the brim (with the fold at the outermost edge of the brim). Pull the gathers up on each side, encasing the brim as you do so. Make sure the inside edge of the brim tucks just up into the crown on the inside and glue those gathers in place. The outer gathers can be covered more effectively with the fancy hatband should there be an slight gap. Glue the outer brim edge next to the crown.

Step #8: Now, using the grossgrain ribbon, cover the raw edges and gathers of the brim fabric, creating a sweatband. Fold the last bit of the ribbon before you glue it down so there are no raw edges of the ribbon.
Step #9: Using your fancy hat band ribbon, cover the gathers and raw edges on the outside of the had where the crown and brim fabrics join. Fold the last bit of the ribbon before you glue it down so there are no raw edges of the ribbon. I leave the top edge of the ribbon band open to help hide any trims or feathers I might add, gluing that down as I go.

Step #10: Trim your hat with flowers, lace, or feathers -- or all of the above! Hot glue can be effective at this point, especially if you want the placement to be "just so."

If you cannot find a suitable hat to cover, it is easy to make a hat from scratch. There are patterns available for different styles. The hat pattern I have available in my Etsy store is very versatile. Even though it is shown with a Victorian style (perhaps appealing to the Steampunk culture or Halloween costuming), different trims would give it a more modern appeal.



Hat Pattern:

Saturday, September 12, 2009

So, you know I'm deep in cyberspace when. . .


I've gotten so far into social networking (facebook, twitter, blogs, etc.) that I actually stumbled upon a website handing out your "fairy name" randomly (based on your real name, supposedly). Now, I am an incredibly imaginative person (had an imaginary playmate as a girl -- she was really great for blaming my mishaps on!). So, I just had to try this out. Those who know me well -- does this little fairy sound like me?

Your fairy is called Tangle Saturnfilter
She is a trouble maker.
She lives at the bottom of tangled gardens and in hedgerows.
She is only seen on midsummer's eve.
She wears tangled dresses of multicoloured petals. She has delicate pale pink wings like a cicada.

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